Sturtevant was a visual artist, who was based for the longest part of her career in New York. In the 1960s Elaine Sturtevant began operating an art practice in which she meticulously copied selected works of her male colleagues. Her practice was a critique of the culture of the art world in which she was working, one that was dominated by the concept of the lone genius, autonomous, white male creator. From the beginning she dropped her first name to subvert the concept of the identity of a female artist. In Hainley’s study he recalls the early performances by Sturtevant including The Store of Claes Oldenburg, Picabias’ Ballet Relache and the ambiguous reception of her work at the time.

Read Thread is an artist book by Cecilia Vicuna, a writer and visual artist, that invites us to follow the thread beyond the western linear idea of time towards an endless movement of celestial patterns and its reflection in the human and landscape body. Vicuna, who left Chile 1973 during the dictatorship first for London, lived then in Bogota and after in New York, refers back to different indigenous concepts and techniques, which she poetically and politically interprets and places in tension with the current ecological and economical disaster. 

The catalogue Traces documents the oeuvre of Cuban-born American artist Ana Mendieta (1948 – 1985). In her works she takes agency for and ownership over her body and creates often ephemeral works for which she almost exclusively used natural materials. The female body and the question of belonging are standing in the center of her practice. Mendieta realized many of her performances in nature, which she then documented on film – photographic and moving images. Poetically she expresses in her drawings, sculptures and performances an idea of an inseparable relationship between earth and humanity.